Himalayan Literature Festival to remember Rimal
Nepal's greatest poet, Gopal Prasad Rimal, was born in
Kathmandu in 1918.
During his adolescence he came under the influence of
revolutionaries who were aspiring to overthrow the then despotic Rana regime.
In 1941, the brutal execution of the Nepali patriot Dashrath Chand and his
friends fired Rimal's imagination and thus revolution became the bedrock of his
creative ventures. Rimal founded a creative organization called "Praja
Panchayat" to raise voice against the suppression of Nepalese masses by
the autocratic Rana rulers and was imprisoned on several occasions for his
involvement in the Movement. He played a pivotal role in making the 1950-51
Democratic Movement successful but soon after grew disillusioned. His dreams of
a democratic Nepal were shattered as "harlots of anarchy" in the garb
of democracy started dancing in "castles of filth.” Rimal lost his mental
balance and was sent to an asylum in Ranchi. Later he was brought back to Nepal
to spend the rest of his life, roaming insane in the streets of Kathmandu
with the dream of a true democracy seething in him. Rimal died in 1973.
Unlike his contemporaries who came under the influence of
English Romantics and employed Sanskrit meter, Rimal, even before the 1950
Revolution shed Sanskrit usage and meter and wrote fiery poems dealing with the
struggle of the Nepalese people. He introduced prose poems to Nepali literature
and wrote famous poems like "Mother's Dream," "To" and "The
Story of my Love." He also published plays like Masan (The Graveyard)
and Yo Prem (This Love).
"Rimal's contemporaries could hardly digest English
Romantics and Shakespeare," discerns distinguished Nepali poet, Krishna
Bhakta Shrestha, "whereas Rimal succeeded in writing first Nepali prose
poems using native symbols and folklore to capture the agony of his
people."
In the works of highly acclaimed Nepali critic Tara Nath
Sharma: It was Rimal whose boldness encouraged writers like Devkota and Sama to
write prose poems. Devkota and Sama began to walk in the footsteps of Rimal
just a few years before the 1951 Revolution. A few social realistic plays Sama
wrote came out only after Rimal's epoch-making ventures in the field. (Pratik,
1993).
Rimal gave Nepali poets a true role of being the conscious of their age, "an unacknowledged legislator of the world."
Today he stands as a
father figure for the younger generation of Nepalese poets and deserves
worldwide recognition.



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